罗兹电钢琴 e-Instruments Session Keys Electric R

罗兹电钢琴 e-Instruments Session Keys Electric R

罗兹电钢琴 e-Instruments Session Keys Electric R-251编曲网
罗兹电钢琴 e-Instruments Session Keys Electric R
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Kontakt 音源 附带高清视频安装教程 ………………………

音源名称:Session Keys Electric R
音源大小:5.23GB
音源类型:电钢
加载方式:Kontakt ——— 附带(Win Mac)详细视频安装教程
支持系统:Win:7/10/11 ——- Mac:10.10以上(支持最新系统 )
支持宿主:Logic – Cubase – FL Studio – Ableton Live – Studio One – Pro Tools
发货方法:百度网盘下载

图片[1]-罗兹电钢琴 e-Instruments Session Keys Electric R-251编曲网

这款经过精心采样的乐器可能是您唯一需要的Rhodes。

罗兹电钢琴一直是众多虚拟娱乐的主题,那么世界是否还需要另一种采样产品?简而言之,是的。多年来,我玩过很多真实的示例(并拥有一个绝对的饼干),我可以证明没有两个听起来完全一样,或者对播放器的响应方式相同。在调整,定制和以其他方式干扰它们的方式中,变量太多了,每个人都有自己独特的个性。Session Keys Electric R是电子仪器值得探讨的主题,是Kontakt乐器Session Sessions系列乐器的一部分。

为Electric R采样的钢琴是1976年经过特别修改的MkI。正如您所期望的那样,采样非常详细,包括大量机械细节:踏板噪音,释放噪音-甚至琴键触底的声音。但是,Electric R不仅仅是简单的克隆。提供两种不同的声音设置,只需单击一下鼠标即可选择。Studio声音集是未经处理的DI’d信号,而Live声音集已经过处理,可以在模拟的舞台环境中代表Rhodes。录音室的声音听起来更加开放,但音质稍差,而现场表演的高端声音较小,中音较高,但声音略显“ boxier”,但又不会显得笨拙。

为了寻找扩大乐器可能性的方法,电子仪器还记录了罗得岛的原声(即使拔下插头也发出令人惊讶的声音),并提供了反向采样。可以通过“色调”选项卡访问详细的设置,还可以从内置的“效果”中进行进一步的处理,这两者都将在后面讨论。

叫五角大楼
Electric R的“钢琴”选项卡的中心是Pentamorph,这是一种在各个样本层之间进行混合和变形的有趣而时尚的方式。它的五个节点中的每个节点都代表一个样本层或多个层的组合。单击每个节点上的名称可直接在其中捕捉,但也可以上下移动鼠标,然后“冰球”在五边形周围移动,在相邻位置之间变形。如同Electric R中的所有连续控件一样,此移动也可以分配给任何MIDI控制器。各个节点提供以下组合:不插电=仅声学样本;原始=自然的Rhodes样本;音调=自然采样加上可选的反向采样和声学采样;唯一=声学样本和反向样本的组合;反转=仅反转样本。

有些人喜欢脆
停留在“钢琴”选项卡上,“均衡器”提供低音和高音增强/削减;这两个Dynamics控件提供了一种非常有效的方法来自定义钢琴的演奏响应。紧缩限制(或允许)访问最高速度的图层-完全顺时针设置会产生严重的攻击性。结合大量关键噪声样本的帮助,听起来与1970年代流行的Dyno-My-Piano变型非常接近。如果需要较甜的音调,请退出“紧缩”声级。响应控件将音量动态范围从零到127调整为完全不动态,同时仍按Crunch控件设置的所有速度层播放。如果您只是想保持感知到的音量相当均匀,则低响应设置是压缩的有用替代方法。

音调
动画器屏幕。 已选择歌曲Pop Rider,正在播放D小调的第9和弦,而该诗句刚被替换为右侧浏览器中突出显示的那一个。
动画器屏幕。已选择歌曲Pop Rider,正在播放D小调的第9和弦,而该诗句刚被替换为右侧浏览器中突出显示的那一个。
“色调”选项卡实质上是各种样本元素以及AD(攻击和衰减)包络整形器的混合器。元素包括共鸣(当踩下延音踏板时会产生微妙的谐波共鸣效果),音调位置(请参见方框:音调变化),踏板,键和释放噪音。当“五角形”位于“原始”节点位置时,“音色音量”和“反向音量”无效,但随着向“音调”节点变形而逐渐生效。唯一和反向Pentamorph节点都可以具有截然不同的Tonality设置,当您从12点钟位置逆时针移动Pentamorph的圆盘时,可以实现一些极端的声音变形。所有这些听起来在印刷中都可能很复杂,但在实践中却是显而易见的!三十个出厂预设补丁显示了Electric R可以做什么,从直截了当到彻头彻尾的怪异-您也可以保存自己的。用户预设会记住所有的“色调”和“效果”设置,但不会记住Studio或Live声音集的选择。

在常规设置下,有用于整体调整,均等气质或拉伸调整以及速度曲线的选项。可选的“静音键”功能可以很好地观察到逼真感-五个或五个以下的键速不发出声音,模仿真实的Rhodes行为,在此情况下,弹奏得很轻的键将施加的力不足以使锤子击中尖齿。

特效
菊花链串联的Kontakt内置效果中的七个,为蛋糕锦上添花。效果的顺序是合理选择的:颤音,合唱,移相器,放大器,压缩器,延迟和卷积混响。值得一提的是Tremolo,将Tremolo和autopan都集成在一个模块中。两者的速度可以独立设置,用推子控制两者之间的平衡。调制波形可以从正弦波到三角波到方波平滑变化。

智能和弦
如果您想用一把琴键(或打击垫)发出和弦,那别无他物。选择一个琴键签名和四个模式(大,小,dom7或Dorian)之一,然后弹奏白色琴键以生成与所选模式相符的和弦。此外,按住黑键会添加修饰符(第一个反转,第二个反转,sus第4个,第7个,第9个)。人性化控件确定生成的和弦的松紧度或草率。奇怪的是,只能通过GUI更改键和模式,这会限制Smart Chord的用途,尤其是在现场情况下-除非您的音乐从不改变键!那不是编舞的人,那么…

动画师
在“色调”屏幕中混合了各种样本元素。 通过在五角形周围移动,可以显着更改其值。
在“色调”屏幕中混合了各种样本元素。通过在五角形周围移动,可以显着更改其值。
熟悉电子乐器的Session Strings和Session Brass乐器的任何人都将熟悉他们的Animator概念-一种基于MIDI文件库的速度同步自动伴奏工具。这些被安排为40首预设的歌曲,属于各种音乐流派,每首歌曲包含七个可键控短语(前奏,诗歌,合唱等)。只需演奏正确的和弦,和弦检测就可以完成其余的工作,甚至可以识别不同的和弦反转。每个词组具有三个级别的复杂度,可通过调制轮控制。乐句的动态性可以通过键速控制,也可以通过音高轮实时控制,或两者结合使用。右侧的浏览器可访问所有歌曲的短语文件夹,因此您只需单击要替换的短语的GUI键即可构建自己的歌曲,然后在浏览器中双击要替换为的短语。还包括用于Swing和Quantise数量的控件,以及用于正常,半速或双速播放的速度分配器。

结论
Electric R拥有自己的声音:中度到较低范围的油腻和刺耳的声音,而高音区则清晰而细腻。就像任何两个真实的例子一样,它在某些音轨中完美定位,但在另一些音轨中听起来也略有偏离。如果要提出任何实际的批评,它会涉及到一些音调阻塞的音符,尤其是E(64),F(65),B(59)和C(60),在速度112左右(用Crunch测量)以其默认设置)。也就是说,Electric R演奏起来令人愉悦且令人满足,并且提供了一些不同寻常的声音扭曲。绝对可以研究您是否追求真实的Rhodes体验,并且值得考虑作为您可能拥有的其他Rhodes软件的陪衬。

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